How to be Successful

Success in life entails discovering your potential to do certain things. This calls for setting up of individual plans and goals and working hard towards achieving those goals and plans (Knowledgebase 1). The difference between those who succeed in life and those who do not is that successful people make it their mission to pursue their goals and objectives in life.Advertising We will write a custom case study sample on How to be Successful specifically for you for only $16.05 $11/page Learn More Before one embarks on pursuing success in life, it is important first to be fully aware of the issues that have thus far hindered your potential to succeed. One of the key hindrances to success in life is false beliefs. This prevents you from achieving your true potential and by extension, your success. It is important therefore to get rid of such false beliefs. Another hindrance to success in life is lack of persistence. All too often, we lose focus of what we want to achieve simply because we have failed on one or several occasions (Harford 25). However, those of us who are persistent enough always succeed in the long run. In his book, ‘Adapt: Why success always starts with failure†, Harford (26) reckons that most business did become successful instantly; rather, it happened after several failed attempts. Those businesses that did not persist perished, while those that ‘hang in there’ succeeded. The fundamental lesson that we can borrow from Harford is that we need to design our own lives in order to gain the most from our failures. Lack of proper planning is also a hindrance to succeeding in life. For example, you must have clear plans and goals about what you want to achieve, and how you intend to achieve it. One of the key steps of succeeding in life is being proactive. What this means is that we should always endeavor to create our own destiny, instead of waiting for others to do so. In other words, deciding on whether to pursue success in life is our choice to make. Successful people always make SMART goals in life. Such goals are specific in nature, can be quantified, are attainable, and can be realized within a given time-frame (Boyle and Tymchuk 71). In order to succeed in life, start by setting goals and plans that you would want to achieve in life. In addition, ensure that you have a roadmap that will enable you to achieve this goal. Another importance thing to do in order to succeed in life is to take immediate and decisive action. Sadly, not many people have the self-drive needed to take decisive action. No matter how good your plan or an idea can look on paper, it is useless if you cannot implement it. In this respect, successful people recognize the need to actualize their plans and getting things done. Another character trait of successful people that is worth emulating is that they are more focused on being productive, as opposed to being busy.Advertising Looking for ca se study on social sciences? Let's see if we can help you! Get your first paper with 15% OFF Learn More Successful people strive to work smarter, as opposed to working harder. Similar sentiments have also been echoed by Ferris (18) who observes that being busy is characterized by indiscriminate action and lazy thinking. Being busy does not mean you are doing the right things. Successful people know this, which is why they opt to work smart, and not work hard. In order to be successful in life, it is important to ensure that you are constantly evaluating your weaknesses or areas where you have fallen short of your expectations in life (Dureke 89). This way, you will be able to avoid many of the pitfalls that could have prevented you from achieving your set goals and objectives. Above all, succeeding in life is a journey that you must be prepared to make and as such, you should be ready to deal with the many challenges and pitfalls that you are likely to encounter along the w ay. If you are patient, prepared, focused, and are quick to make decisive action, then you are on your way to attaining success in life. Works Cited Boyle, Gert and Tymchuk, Kerry. One Tough Mother: Success in Life, Business and AP. Westwinds Press, 2005. Print. Dureke, Margaret. How to Succeed Against All Odds: Make Adversities Your Foot Mat. New York: Jahs Publishing Group, 2000. Print. Ferris, Tim. The 4-Hour Worksheet: escape 9-5, live anywhere, and join the new rich. London: Ebury Publishing, 2011. Print. Harford, Tim. Adapt: Why success always starts with failure. London: Little, Brown Young, 2011. Print.Advertising We will write a custom case study sample on How to be Successful specifically for you for only $16.05 $11/page Learn More Knowledgebase n. d., Self Improvement – How To Succeed in Life? PDF file. Web. This case study on How to be Successful was written and submitted by user Melody Whitley to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Death of a Salesman Stage Effects Essay Example

Death of a Salesman Stage Effects Essay Example Death of a Salesman Stage Effects Paper Death of a Salesman Stage Effects Paper Essay Topic: Death Of a Salesman In Arthur Millers Death of a Salesman, Willy Loman reviews a life of desperate pursuit on a dream of success. The playwright suggests to his audience both what is truthful and what is illusory in the American Dream. Unusual in its presentation of a common man as a tragic figure, the play literally processes Willy Lomans way of mind. To accomplish this, Miller uses the sense of time on stage in an unconventional way to point up that, for Willy Loman, the voice of the past is no longer distant but quite as loud as the voice of the present. The play uses two different time frames simultaneously, one based in the present, and one based in the past. Past flashbacks are often triggered in Willy’s mind by symbols and motifs from the present, and often serve to develop the present situation and explain why characters are acting the way they are. Because the play is about Willys search rather than the socioeconomic environment in which his search takes place, the plays setting is meticulously devoid of detailed reminders of place and time. For example, in Act One, Bens remarks, the flute music, and the voice of the â€Å"woman† illustrate Millers concept that everything exists at the same time- at least within the human mind. From the beginning, the Salesman image absorbed the concept that nothing in life comes next, but that everything exists together and at the same time within everyone; that there is no past to be brought forward in a human being, but that he is in his past at every moment and that the present is merely that, which his past is capable of noticing, smelling and reacting to. Arthur Miller did not divide his play into scenes within each act. Instead, the action is continuous, even when flashbacks occur. The play encompasses an evening and the following day, but the action is interrupted by or mixed with flashback or memories of a period approximately seventeen years earlier. Act one covers the author’s pre-play description of the set as well as the opening action. Music throughout the rest of the play sets the mood for opening stage direction. At times of promise of better things to come in the future, the music is gay and bright and â€Å"raw and sensuous during the woman scenes. The flute music is associated with nostalgia each time Willy begins to imagine a happier life in the past. The set design of Death of a Salesman was innovative since it allowed Miller’s characters to move between present and past, the real and the imaginary, without cumbersome set changes. Moreover, the set design helps Miller suggest the way the characters, especially Willy, live in the past as much as the present. Even Before the characters appear on stage, the audience sees the set design. Miller’s description of the set is important as it establishes the tone of the play. The set shows both the inside and outside of Willy Loman’s humble house in New York City. A â€Å"fragile-seeming† house, it is hedged in, surrounded by recently erected apartment buildings. Blue light falls on the house, giving it â€Å"an air of the dream,† while â€Å"an angry glow of orange† colors the edges of the set. The blue light around the set, indicating â€Å"an air of the dream† corresponds to Willy’s self-confidence (â€Å"I could sell them! †) in the face of what are intimidating, depressing circumstances. Simultaneously, â€Å"an air of the dream† may refer to all the characters’ anxious, dazed sense of being lost. The large apartment buildings are crowding Willy and Linda, beating down on them the same way many unrewarding years as a traveling salesman has weighed on Willy. The kitchen occupies center stage, flanked by a bedroom at a raised level on the right. Behind and above the kitchen is another bedroom, and a doorway draped with a curtain leads out from the back of the kitchen to an unseen living room. The setting is completely or, in places, partially transparent. Miller tells the reader that when the characters are in the present, that actors will respect the â€Å"walls† of the house and enter only through doors; in the scenes from the past, however, the actors will enter or exit by walking through the transparent walls. By using flashback and reveries, Miller allows the audience to get into the mind of Willy Loman and brings the audience into a sense of pity for him. Miller also uses a lot of motifs and repeated ideas through the play to give the viewers an idea of what Willy and his situation is all about. As far as plays go, the speech in Death of a Salesman does veer more to the realistic end of the spectrum than the unrealistic. Using a lot of colloquialisms and ellipses and dashes, make the speech seem more stunted and everyday like. Willy is fairly inarticulate and uses cliche phrases to express how he is feeling but this only serves to emphasize how this is a tragedy of a normal man. Vocabulary is naturalistic throughout, as is the rhythm and although the vocabulary and sentence structure is often simplistic, Miller was skillful enough to still make it powerful and effective. There are still hints at times, however, that this is a play and not a reality show, for example, when Linda says â€Å"Attention, attention must be finally paid to such a person. † In parts of the play, the past and present both run at the same time. This is intentional however; the play was begun with only one firm piece of knowledge: Loman is to destroy himself. The structure of the play was determined by what was needed to draw up his memories like a mass of tangled roots without end or beginning. Willy lives closer to our experience than many protagonists; he is struggling with the pressures of twentieth century life: of money, of the city, of the family, of the job, while his weaknesses are those which ordinary humans share. Loneliness, the inability to decide exactly what one wants, the breakdown of communications btw the two generations, are all part of our lives to some extent. Miller shows that man is isolated, and, even though he struggles, the may be faced with impossible odds.